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218                        N. Nikšić, Muziciranje na defu kod žena u Novom Pazaru


                     Naka Niksic
                     University of Belgrade
                     Teachers Faculty of Belgrade
                     Study Department in Novi Pazar


                      THE TAMBOURINE IN WOMAN’S MUSIC TRADITION
                                          OF NOVI PAZAR

                     Abstract: Playing of the tambourine was an inseparable part of so­called
               woman’s celebrations in the past (parties) in Novi Pazar. However, from the middle
               of the seventies, with the appearance of mixed celebrations (celebrations where,
               as it is said within folk “mixed” are men and women), playing on this instrument
               has died out gradually.  In the last years, under the influence of TV series, there is
               a noticeable tendency for restoration of certain customs, and also playing on this
               instrument within them. In this paper, it shall be said on the instrument material,
               way of its playing in the past and today, the significance and role in everyday life,
               then on possibilities of its cherishing and transferring of the tradition to play on
               it.  The aim of the paper is documenting, keeping, cherishing and popularisation
               of  this  element  of  the  Bosniak  culture.  The  research  results  emphasise  onto  the
               tambourine presence in numerous woman’s gatherings in the past (celebrations for
               canna, circumcising, weddings or at house gatherings), on the existence of women
               who entertained other women professionally with playing on this instrument, three
               characteristic rhythms recorded at the ethno­musical collections in the period of the
               middle of the seventies of  XX century until a decade ago, then the way of playing it
               and singing with it, and unfortunately, they do not have their foundation within the
               Bosniak culture. In the paper, it is also emphasised onto the need and a possibility
               of keeping, cherishing and transferring this instrument onto non­material culture
               through workshops for making of the instrument and training to be played on it.

                     Key  words:  tambourine,  tambourine  playing,  Novi  Pazar,  women’s  music
               tradition, Bosniaks
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